Where Culture Comes to Life

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Hands & Heritage
From community workshops to gallery walls — explore the visual stories behind the work, the people, and the process.
This isn’t just a portfolio.

It’s a portal into the world of Art Aid — raw moments, finished pieces, behind-the-scenes grit, and the joy of creation. Each photo is a receipt for what happens when Indigenous Knowledge Systems meet radical imagination.

A person with curly hair sits on the floor against a white background wearing traditional, colourful Ndebele attire with beadwork, neck rings, arm rings, leg rings, and a patterned blanket. Their face has detailed painted designs, and they look towards the camera.
Exhibitions
238
Products
132
Retail
28
Corporate Gifts
30
Curated
15
Installations Services
23
Projects
473
Three round mirrors with textured white frames are mounted on a white wall at Contra.Joburg. Reflections reveal a framed abstract artwork and a doorway, while a small wall label hints at an art display, possibly part of
A bare-chested man poses with arms raised, wearing black beaded necklaces and white tribal body paint on his face, chest, and arms. He stands against a plain white background, looking directly at the camera with a serious expression.
Two round, woven baskets with intricate geometric patterns hang side by side on a yellow wall. The left basket features red, blue, black, and white designs, whilst the right basket displays blue, red, yellow, and white star-like shapes.
A grid of colourful pop-art style paintings, each square showing two abstract, human-like figures kneeling side by side. The background and figures vary in bold colours and outlines, arranged against a red wall. The patterns resemble Andy Warhol’s repetitive style.
A round, dark brown pottery vessel with carved geometric and leaf-like patterns sits on a black shelf against a bold orange-red background. The pot's surface shows signs of wear and age, highlighting its hand-crafted texture and intricate decoration.
A dark wooden sculptural object stands on a black surface in front of a vertical textile with red, yellow, black, grey, and white horizontal and vertical stripes. The background has red, black, and blue colour blocks.
An indoor art exhibition with colourful panels displays paintings, sculptures, and framed art. A pink panel features Winston Thekiso’s name and two abstract works. In the background, there’s an “Ice Rink” sign and glass walls revealing a skating area.
A framed abstract painting with a pale, textured background in white and light bluish tones. A bright yellow spirit level is horizontally centred across the canvas. The piece hangs on a beige wall, with a small, white placard visible at the bottom right.
A woman stands against a plain white background, wearing colourful traditional African attire. She has a bright pink and yellow dress with green and floral patterns, a bold multi-coloured headwrap, large earrings, layered necklaces, and blue lipstick.
A woman and man in colourful traditional African clothing pose in a studio. The woman twirls in a blue patterned skirt with beaded jewellery, while the man wears animal print attire, beaded accessories, and holds a spear. Both are smiling against a plain background.
Six colourful, patterned caps are displayed on a dark wall around two abstract, geometric artworks. Titled
A rustic, round wooden vase with a rough, natural texture and varied brown tones sits on a light wooden box. The background is split vertically with a red section on the left and a blue-grey section on the right.
A person stands barefoot against a plain light backdrop, wearing a cream and black traditional dress with striped details. They have a matching headwrap and colourful face paint, looking directly at the camera whilst holding the skirt with one hand.
A textured sculpture of a winged, seated figure—titled *Weight of Silence*—is formed from layered, off-white fragments. This abstract piece, shown at Contra.Joburg, rests quietly on a white plinth against a plain, light background.
A large, multicoloured geometric star sculpture with six points is suspended in a gallery. Behind it, a patterned textile hangs on an orange and white wall. A textured, round tan vessel sits on the concrete floor to the left. The scene is vibrant and modern.
A modern art gallery with a red feature wall featuring black metal shelves displaying ceramic vases. Three colourful abstract paintings hang on a white wall. The floor has a yellow and white zigzag patterned rug, and track lighting is installed on the ceiling.
Embroidered artwork of a busy street scene at
A woman with natural afro hair wears bold face paint in white dots and lines, pink eye make-up, and layered red bead necklaces. She rests one hand on her face with eyes closed, posing against a plain light background.
A jewellery display case with a necklace, bracelet, ring, and earrings from Contra.Joburg. Each piece features white and pale blue beads and pearls, creating a delicate floral texture. The clean display is set by a sunlit window, evoking the Weight of Silence.
A brightly patterned fabric with red, yellow, and blue stripes and circular designs hangs on a yellow wall. Next to it, a matching handbag sits on an orange plinth, displaying a similar circular motif and colour scheme.
A person with half their face painted white wears colourful beaded jewellery, a sleeveless denim waistcoat, and patterned belts. They hold a yellow sculpted mask on their head, with their other hand raised. The background is plain and light-coloured.
A framed painting on a blue display panel depicts a table with fruit and objects under a dramatic, swirling night sky. The scene is inside a well-lit modern space with stone walls, striped carpet, and a red partition visible in the background.
A modern living room with white walls, a wall-mounted white shelf displaying decorative vases and abstract art, a white padded bench, and a white sideboard topped with a tall vase of lilies, a teapot, and a tray.
A corner of an interior hut with white walls features colourful, geometric, rectangular Ndebele patterns in red, yellow, blue, green, and black—a vibrant nod to Gogo Mahlangu and her Legacy Project. Built-in mud benches sit below visible thatched roof beams.
A metallic sculpture of a female figure with arms outstretched, wearing a detailed bodice and a dramatic headdress made of curved, radiating metal spikes. The background is solid bright red, creating a striking contrast with the silver tones of the sculpture.
A museum exhibition with colourful displays on plinths, featuring bottles, sculptures, and crafts. Large illuminated panels with text are in the background. Natural light enters from glass doors, and a person stands near the entrance. The setting is modern and well-lit.
Two porcelain vases with bold geometric designs sit on a pink surface. The left vase is yellow with black and white dot circles; the right is blue with white rings and a red rim. An orange wall is behind them, and a label with artist details is partially visible.
A geometric painting in bold colours—blue, pink, green, black, and white—featuring symmetrical patterns and shapes, hangs on a vibrant red wall. The artist’s signature, Esther Mahlangu, is visible in the lower left corner. A small label is mounted nearby.
Nine white cowboy hats with colourful beaded hatbands are mounted in a three-by-three grid on a vivid red wall. Each hat sits on a round white plate, which features geometric patterns in blue, yellow, and red.
Indoor art exhibition with several colourful paintings displayed on freestanding panels. The floor has curving, striped patterns. In the background, a large wall mural with abstract blue shapes is visible. Lighting is warm and soft throughout the space.
A barefoot man poses wearing traditional Swazi attire: a red, black, and white patterned cloth draped over one shoulder and a wrap skirt with fur. He has a feather headpiece and white face paint, standing against a plain, light-coloured background.
A photo of an art gallery with a wall displaying
A white-walled gallery shows three framed, abstract artworks with pale, textured surfaces. In front, a small white sculpture of a cow stands on a plinth inside a clear box—a quiet scene reflecting the Weight of Silence at Contra.Joburg.
A textured, abstract artwork hangs on a white wall at Contra.Joburg. The piece, titled
A bright, minimalist art gallery at Contra.Joburg displays white abstract sculptures on plinths—like a winged figure and a curved organic form. Framed monochrome artworks line the white walls, evoking the Weight of Silence in a serene, modern atmosphere.
Two colourful wooden sculptures stand on a green surface. The left figure is a man in a blue suit and red tie, wearing glasses, holding a phone to his ear. The right figure is a woman in traditional dress, also holding a phone to her ear. Both are detailed and vibrant.
A colourful painting on a wall shows a person in an orange shirt, blue trousers, and a blue hat riding a pink bicycle on a sandy path, kicking one leg up playfully. The sky is blue with clouds and a fence and low wall appear in the background.
A colourful textile artwork shows two people in vibrant clothing holding hands. Above them is the text “AFRICA RISING.” Between them, they hold a heart and a sign reading “UBUNTU.” The background has intricate orange and blue patterns with four tassels at the bottom edge.
A woman stands with arms outstretched, holding sheer black fabric. She wears a colourful dress with bold patterns and a tall headdress decorated with red accents. Her make-up is bright and artistic, and she poses barefoot against a plain white background.
Six square-framed abstract artworks from BASA Asiwele’s
A barefoot woman poses in a white dress with colourful stripes on the skirt. She wears bold beaded jewellery, gold bangles, and traditional face paint. Her hair is natural, and she holds out her skirt to show off the vibrant design against a plain background.
A small art gallery room with light brown walls and wooden floors. Two artworks hang on white partition walls: one is a framed abstract painting with animals; the other is a square piece featuring green and yellow circles. A checked cloth covers a surface in the foreground.
A textured brown ceramic vessel with handles sits on a pink plinth beside a wooden fish sculpture on a yellow stand. The background features large orange and dark green panels, and the floor is patterned with brown and cream tiles.
A woman with long brown plaits wears a light yellow and white old-fashioned dress, lace gloves, and a white bonnet. She holds her skirt out to the sides, standing against a plain white background, looking into the camera with a serious expression.
A young man with short, spiked hair and glasses stands barefoot against a plain white background. He wears a white shirt with blue trim and blue knee-length shorts, and has his arms folded, looking slightly to the side with a neutral expression.
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A tall, stylised giraffe sculpture made of wood with a smooth, polished finish. The giraffe has elongated legs, neck, and body, with simplified angular features and visible wood grain patterns throughout its surface.
Three small stone bowls with matching spoons sit on a rectangular, rustic slab, evoking the Weight of Silence. Two are grey, one is brown—a minimalist arrangement by Contra.Joburg against a neutral background.
A carved wooden bowl with short legs, a wooden spoon, and two bead-covered ornaments featuring geometric red, black, and white patterns evoke the artistry of Contra.Joburg, displayed on light fabric against a plain, pale background.
A colourful bucket hat featuring bold geometric patterns in red, white, and black. Inspired by Contra.Joburg, the design includes abstract motifs and vertical ovals, giving the hat a vibrant, striking appearance that captures the Weight of Silence.
A tabletop from Contra.Joburg featuring black and white geometric tiles with a symmetrical floral and square pattern. The tiles have a slightly distressed, vintage look, and the wall behind them is textured and painted white.
A white canvas tote bag lies flat. The bag features a black, hand-printed design of a maple leaf in the centre, framed by a square border with patterns inspired by Weight of Silence and geometric shapes from Contra.Joburg.
A beaded necktie with a zigzag pattern in red, white, and black lies on a dark surface. The tie tapers to a point and features a red beaded neck strap with loop and button fastening, echoing the bold style of Contra.Joburg.
A rectangular piece of tan animal hide is decorated with rows of white, red, and blue beads. The beads form a rectangular pattern with a central blue stripe bordered by red and white rows. The edges of the hide and pattern are outlined with white beads.
A model of a chromosome showing a Y-shaped yellow structure covered in small beads, with two arms branching from a central point and a black circular cap at one end, representing the centromere. The background is transparent.
A pair of handmade earrings with rectangular tan leather pieces, each featuring a red square accent with a gold stud. Three dangling strands of round and textured gold beads hang from each earring. Gold hooks are attached at the top. The background is black.
Three stone pendant necklaces lay on a light fabric surface, their earthy tones evoking the Weight of Silence. Each smooth, round stone with a central hole is strung on dark cord—one accented by irregular brown beads—crafted in the spirit of Contra.Joburg.
A beaded bracelet with the word
Close-up of two woven baskets with square shapes, made from natural brown and white materials. Featuring tightly wrapped rims and alternating bands, this Contra.Joburg piece highlights intricate craftsmanship against a plain, light background.
A textured, clay-coloured sculpture of a seated, nude, full-figured woman with arms raised overhead. Her legs are bent outward, feet touching. The style is rounded and abstract, with minimal facial details and a smooth yet uneven surface.
A large, round, natural wood bowl with a wide, uneven opening. The bowl displays swirling, multicoloured grain patterns in rich browns, golds, and hints of red, showcasing knots and smooth, polished surfaces, highlighting its organic, rustic texture.
A single copper wire earring forms a spiral shape, topped with a green glass bead wrapped in copper wire. The earring has a fishhook ear wire for wearing, and the metal has a rustic, handmade appearance. The background is transparent.
A cylindrical, handwoven basket with a flared rim is featured in this Contra.Joburg piece. Natural, black, red, and white strips form chequered and horizontal patterns. The basket rests on a light surface with a plain background.
A round, woven basket lid features intricate black and tan geometric patterns and two curved orange bands. The design forms a star shape at the centre, with repeating triangles and zigzags along the edges. The basket has a coiled, textured appearance.
A white bowl contains several smooth, pale grey stone beads. Some beads are strung together with natural, thick, tan twine tied in knots, while others are loose. The bowl and beads have a handmade, rustic appearance.
A white fabric tote bag lies flat on a neutral surface. The bag features a large, square geometric design in black ink by Contra.Joburg, displaying patterns of triangles, dots, and lines for an abstract Weight of Silence effect.
A painted statue of an African woman wearing red patterned trousers, a green headscarf, and a black top with a hole. She balances a sack labelled
Three wooden sculptures shaped like fruit—a round apple with a curved stalk, a pear standing upright, and a banana lying on its side—sit quietly like the Weight of Silence on a light textured surface with subtle stripes, their smooth pale wood revealing graceful grain.
A small, tan, leather pouch features a rectangular beadwork design in white, red, and blue. The edge and lower scalloped border are outlined with light blue beads; a geometric red-and-blue motif is centred within a white beaded field.
A framed beaded artwork titled
A white and grey rectangular object in a frame, reminiscent of the quiet intrigue found in Contra.Joburg’s Weight of Silence.
A beaded pouch with a geometric pattern in yellow, orange, brown, and black beads. The pouch has a looped handle and a brown button fastening, arranged in a diamond and chevron design.
A beaded bird sculpture inspired by The Weight of Silence features a black-and-white beak, orange body, and striking wire legs. Displayed against a light striped background, this unique piece evokes the creative spirit of Contra.Joburg.
Three stacked black bucket hats, each with a white band and a rectangular patch on the front. The top hat reads “RESPECT,” the middle “JUSTICE,” and the bottom “EQUALITY,” all in white capital letters.
Three woven baskets with chequered patterns in natural, white, red, and black tones are arranged in a diagonal line on a light surface. Their textured, handwoven details echo the artistry of Contra.Joburg. The background is softly blurred.
A beaded bracelet with geometric triangular patterns in black, white, mauve, and dark burgundy. The bracelet, featured by Contra.Joburg, has a loop-and-button fastening with two mauve buttons and rests on a textured beige surface.
A beaded armadillo figurine rests beside a candle set in stacked smooth stones. Behind them, a white sculpture titled Weight of Silence depicts a woman atop stylised leaves, all set against a light, textured wall.
A colourful, handwoven basket from Contra.Joburg features small, square glass beads arranged in a chequerboard pattern with blue, orange, yellow, green, black, and brown sections. The wide opening and tapered sides evoke the delicate Weight of Silence.
Two wooden salad servers with handles resembling natural, textured branches lay side by side on a light fabric surface—echoing the organic aesthetic found in Contra.Joburg's Weight of Silence collection.
A round, black ceramic vase features four wide, flared openings, each lined with a different colour. The surface is decorated with dotted, colourful, radiating lines and circles resembling abstract constellations or fireworks.
A bronze sculpture of two elongated human figures embracing, standing upright with their arms wrapped round each other; the surface is textured and rough, emphasising the abstract, minimalist style of the artwork.
A round, woven basket lid with a geometric pattern in red, blue, tan, white, green, and black. It features star shapes, triangles, and rectangles, all arranged symmetrically around the centre, with a braided blue edge. The background is black.
A smiling woman wears a beaded headband and a vibrant, geometric necklace. Her short hair frames a white top displaying an abstract African continent design. Against the brick wall, she embodies the creative spirit of Contra.Joburg.
A wire sculpture of a tree with blue and green beaded leaves. Inspired by Contra.Joburg, an angelic figure with white beaded wings stands atop, the twisted branches and roots expressing the Weight of Silence through vibrant beadwork.
A tall, stylised giraffe sculpture made of faceted, angular surfaces resembling wood. The geometric design simplifies the giraffe’s body and legs, with sharp edges and a smooth, brown wood-like texture throughout.
A light tan, wide-brimmed hat with hand-painted geometric patterns in blue, yellow, red, and green on the brim and crown, viewed from above against a solid black background. The patterns suggest Indigenous or Southwestern design influences.
A beaded necklace with triangular fringe pieces in yellow and brown. The striking design, reminiscent of the Weight of Silence collection by Contra.Joburg, features alternating triangles on a neutral fabric background for a bold statement look.
A colourful beaded pin from Contra.Joburg rests on a white surface.
A painted wooden figurine of a woman with dark skin, wearing a colourful skirt, red scarf, blue shoes, and metal bangles. She holds a black mobile phone to her ear, and her hair is covered by a green and red headscarf.
Wooden sculpture of an anthropomorphic goat standing upright with a calm expression, large ears, and curved horns. The figure has human-like arms, hands folded at the front, and hoofed feet. The surface is smooth and reddish-brown in colour.
A rectangular black design on a red background—bold and abstract in style—features a sun on the left, a large
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A boutique display with colourful jewellery, hats, and patterned wristbands on black shelves. Hanging below are bright scarves, white T-shirts with
Colourful geometric murals with bold shapes (triangles, circles, rectangles) are painted on black walls. Three framed, vibrant, cartoon-style artworks hang nearby. Part of a metal mesh vent appears above, adding texture to the eclectic scene.
A red shirt with white text reading “healed by healing others Thokoza! Makhosi!” hangs behind two black, round, woven tray-like baskets displayed on a dark, textured surface. The background wall is grey and partially visible.
A large photo display shows a woman in traditional attire and a feathered headpiece. In front are white woven sculptures of geese and sheep on green grass. The background includes trees, market stalls, and sunlit outdoor surroundings.
A neon sign on a weathered beige wall reads
A stall at a market features three women behind tables displaying colourful beaded jewellery, animal figurines, and crafts. Behind them are large posters showing people in traditional attire and jewellery, with vibrant patterns and deep blue and orange backgrounds.
A black metal shelf displays colourful handmade crafts, including beaded tins, woven wire sculptures, and coiled necklaces. A bright geometric mural with yellow, blue, red, and black shapes decorates the wall behind the shelf.
A shop display showcases colourful walking sticks, art supplies, jewellery, and accessories. Framed vibrant artwork covers the back wall. The floor is polished concrete, and shelves and racks are made of black metal, creating an artistic, modern retail space.
A bright beaded rainbow bag hangs in front of a colourful painting of diverse LGBTQ+ people. Nearby are rainbow mugs, one with “CONHILL” and another with “#STAND UP FOR EQUALITY.” A rainbow beaded bracelet and rainbow-patterned items surround them.
A person wearing a cap and black shirt leans forward to closely examine colourful, patterned textile items displayed on shelves. Artworks and cushions with vibrant designs are visible. Another person stands partly visible in the background against a yellow wall.
People walk and browse under a large blue canopy at an outdoor market or fair. Stalls line both sides, selling goods, as shoppers mingle and vendors sit. Colourful ribbons hang at the far end, adding a festive atmosphere. Sunlight filters softly through the canopy.
A man wearing sunglasses and a beige t-shirt holds a cup whilst standing behind a table with colourful patterned bags and fabrics at an indoor market, with stalls and fairy lights visible in the background.
A black display wall features metal afro combs and black-and-white prints of people attached with clips. Two hats labelled
A man in a pink shirt and cap holds a white cup while browsing colourful handmade crafts at an indoor market stall. Artworks, textiles, and hats are displayed on the table. Other stalls and shoppers are visible in the background.
Two smiling people stand behind a colourful craft display at a market stall inside a large, bright building. The nearby banner reads “ASIWELE—crossing the divide” and highlights empowerment, partnerships, market access, and cultural preservation.
A group of people gathers inside a colourful, well-lit shop filled with shelves and art. A large, bright sign above reads “THE MOVEMENT SHOP” in multicoloured block letters. The walls and displays feature vivid decor and creative arrangements.
A large indoor market with people browsing stalls. In the foreground is a vertical banner for ASIWELE, a rural-urban art initiative, featuring two photos of women and text about empowerment, partnerships, and education. A patterned textile lies on a table nearby.
A small, colourful shop interior with a person sitting behind a black counter. Bright geometric art covers the back wall. Shelves display clothing, hats, accessories, and framed pictures. The concrete floor and black shelves contrast with the vivid decor.
A man and woman talk at a vibrant stall with colourful handmade crafts and textiles, set inside a large indoor market. Other stalls with clothing and shoppers are visible in the spacious, industrial-style background.
A shop display features colourful mugs, beaded décor, a blue apron with embroidery, folded red shirts with white text, patterned T-shirts on hangers, hats, and small souvenirs on black shelves against a grey wall.
A craft market scene shows a table displaying handmade ceramics and framed art. Bowls and plates with blue patterns sit in front, with beaded jewellery and textiles further back. A person in pink sits behind the table; other shoppers browse stalls in a spacious indoor venue.
A display shelf holds six colourful woven pouches tied with string, each above a white square with a black letter. Together, the squares spell “RIGHTS.” The shelf and background are black, giving a bold contrast to the vibrant pouches and letters.
A colourful shop display features vibrant patterned fabrics, art prints of children on a grey wall, mugs with bold designs, beaded jewellery, white aprons, stacked boxes, and shelves with folded textiles. The store has an artistic, modern, and eclectic style.
A woman sits at a market stall making colourful beaded jewellery, surrounded by vibrant beaded crafts, dolls, hats, and accessories. Behind her, displays show people in traditional attire and beaded necklaces, while others assist at the bustling stand.
A display table features two round, red and beige candles, a carved wooden bowl holding two wooden utensils, and framed textiles with geometric and animal patterns in blue, yellow, black, and white. The surface is white and set indoors.
People stand in front of The Movement Shop at night, illuminated by colourful lights (red, green, blue). A white marquee and speakers are set up nearby. Wet pavement and leafy tree branches frame the lively, urban outdoor scene.
A vibrant indoor market scene with handmade crafts, jewellery, and colourful textiles displayed on tables. A large banner reads “ASIWELE: crossing the divide,” with photos of African women in traditional attire and text about empowerment and partnerships.
A large poster shows a young Black person with face paint, colourful beaded jewellery, and patterned clothing, holding hands under a floating calabash. In front, striped zebra sculptures stand on grass. Trees and a market stall are visible in the background.
A notebook with a red cover featuring a pattern of black and white shapes lies on a blue surface. A white label with a QR code and the text
A round item wrapped in clear plastic with a black label on top displaying the word
Two men assemble yellow-and-white patterned boxes on a table in a brightly lit room. Both wear blue shirts; one has an anchor design and a hat. Artworks and pictures hang on yellow and white walls in the background. The floor has a patterned rug.
A man in a grey jumper with patterned sleeves arranges jars and stacked boxes of food on a blue table. An open cardboard box sits nearby. Another person in a black shirt is blurred in the background, walking past yellow walls and shelves.
A variety of products on a blue surface: Mandela Tea tin, a green-lidded Nyana container, a small bottle of oil, a black and gold vanilla candle, a red cloth with a QR code, a soap labelled “DIGNITY,” and a wrapped chocolate labelled “NUTRITION.”.
A gift box wrapped in black ribbon, featuring a yellow and white design with cityscape photos and text reading
A stack of decorative yellow and white patterned boxes rests on a table, with one box in the foreground tied with a black ribbon. The background shows framed artwork on a white wall and part of a person out of focus.
A stack of artisanal chocolate bars labelled
A small clear glass bottle with a golden screw cap contains a yellow liquid. The label reads
A smiling person in an orange shirt stands behind a table stacked with yellow-and-white patterned boxes. The person holds up a hand in a “hang loose” gesture, with colourful artwork and a yellow accent wall visible in the background.
A selection of South African goods on a blue surface, including Mandela Tea, Makhamisa Nyana mild relish, a tin of cashews, olive oil, stacked chocolate bars tied with string, Dignity soap, Vutomi Coffee, and a red patterned cloth.
A rectangular box with a colourful geometric pattern and a white band displaying multiple logos, including South African government and Gauteng Province identities, lies on a dark surface. The box looks official and vibrant.
A decorative tin of Mandela Tea features a smiling portrait of Nelson Mandela. The tin is orange with intricate, colourful patterns and text reading
A man in a striped shirt and hat stands indoors behind a large stack of sealed cardboard boxes. The boxes are arranged in three rows. The room has a red feature wall, artworks on white walls, and sunlight comes through a tall window.
Four empty rectangular boxes with yellow and orange geometric patterns on the outside are arranged on a blue surface. Three boxes are open and nested together, while one is closed and resting on top, showing its patterned lid.
A colourful assortment of South African products: Mandela Tea box, Makhamisa Nyana mild relish jar, a bottle of olive oil, stacked boxes of chocolates, a packet of Bottom Coffee, a wrapped cheese wheel, and a red patterned cloth or tie.
A small clear plastic packet labelled “Vuttomi Coffee” sits on a blue surface. The packaging reads “CHOCOLATE COVERED COFFEE BEANS” with an image of dark chocolate and coffee beans in the background.
A rectangular box wrapped in colourful, geometric-patterned paper, featuring shapes and symbols in red, blue, yellow, and pink. A white band with logos and text in Thai is wrapped around the box, which sits on a dark textured surface.
A man in an orange polo shirt stands indoors behind a stack of large, yellow-and-white boxes with geometric patterns. The background features framed artwork on white walls and an open doorway. The man looks slightly towards the camera.
A gift box contains Mandela Tea, Colleen’s Handmade Peri Peri Sauce, a small bottle of liquid, a round DGNN-branded soap, a black face mask, and a black pen on a white surface with colourful cityscape images on the box lid.
A gift box with a yellow geometric pattern on the outside contains a tin of Mandela Tea featuring a smiling portrait, a black tumbler, a packet of OTG coffee, and other partially visible packaged items against a dark background.
Three men stand at a blue table in a yellow-walled room, organising various food items, tins, jars, and papers. Shelves hold more supplies. The scene suggests teamwork and preparation, possibly for food distribution or community aid.
A glass jar with a green lid labelled “MAKHAMISA NYANA MILD RELISH” in large white text. The label is red and green with a bold, modern design. The jar sits on a blue surface against a dark background.
A gift box contains Mandela Tea, a Collerette Moutarde sauce bottle, a mini Marsu Cognac bottle, a black notebook with a white geometric logo, a round black item labelled
A corner of a vibrant yellow room with patterned yellow and white boxes stacked irregularly. Abstract colourful framed art hangs on the yellow walls, and a matching yellow rug with a white geometric design covers the floor.
A rectangular gift box tied with a black ribbon features cityscape photos and the logo for the Gauteng Investment Conference. The bottom left area is yellow with the conference name and slogan “Growing Gauteng Together.” Skyscrapers and buildings are visible in the images.
A brown glass candle jar with a logo reading
Four yellow boxes with geometric patterns and white lids are stacked on a blue surface. Black ribbon lies in front of the boxes. Framed modern art pieces hang on the white wall in the background. The scene is brightly lit.
Several open gift boxes filled with various luxury grooming products, colourful ties, and jars, are arranged neatly on a reddish-brown wooden floor. The tip of a person's black-and-white trainers is visible at the bottom of the frame.
A gift box contains Mandela Tea, a bottle of Colleen's Homemade Hot Sauce, a Dignity branded item, a box of Mentos, a black pen, and a postcard featuring cityscape photos. The box’s lid shows a bold, yellow geometric design.
Several colourful spirit levels are suspended by thin strings in front of two paintings on a beige gallery wall. The left painting depicts a cloudy sky over water, while the right painting shows a blue-toned seascape with submarines.
An art gallery with glossy tiled floors displays colourful paintings on wheeled partitions. One painting shows a vibrant floral arrangement in a vase; another depicts antelopes on a savanna. Sunlight streams in from large windows. A crocodile sculpture sits in the background.
Indoor art exhibition with several colourful paintings displayed on freestanding panels. The floor has curving, striped patterns. In the background, a large wall mural with abstract blue shapes is visible. Lighting is warm and soft throughout the space.
Two carved wooden statues resembling anthropomorphic antelopes stand upright on a bright yellow surface. The background is a blue patterned fabric with concentric yellow and white circles and dots, creating a vibrant and contrasting setting.
A modern art gallery displays abstract sculptures and paintings. In the foreground, a dark metal sculpture of a figure bends forward on a blue plinth. Behind it, colourful paintings hang on blue and yellow walls, including art of an owl and textured abstract forms.
A woven, round lidded basket with a geometric black and natural pattern sits on a green surface. The background is a bold black and white zigzag chevron wallpaper, creating a striking contrast with the basket’s design.
A modern art gallery displays colourful abstract portraits with bold lines and bright backgrounds on a white wall. In the foreground, a wall with a black geometric pattern partially obscures the view. The floor is polished concrete.
A ceramic bull sculpture stands on a green plinth. Above it hangs a colourful portrait of a person with a headwrap, warm-toned clothes, and a vivid leafy background, set against a muted green wall.
A spacious, circular parliamentary chamber with wooden desks and chairs arranged in rows. The walls feature vibrant murals, African motifs, and geometric patterns. Soft lighting and a high, triangular-patterned dome ceiling create an official, grand atmosphere.
A curved legislative chamber with wood-panelled walls, geometric patterns, and a painted mural. Rows of wooden desks with chairs face forward. The ceiling features dark triangles and bright lights. The atmosphere is formal and grand.
Two people stand smiling in front of a vibrant mural. The mural depicts a group of workers, arms raised, painted in bold colours. A single figure stands off to the right. The people in front are well-dressed and posed together under bright lighting.
Several colourful spirit levels are suspended by thin strings in a modern gallery space with concrete floors. In the background, framed landscape photographs hang on beige walls, featuring water and nature scenes. The room is brightly lit with natural light.
A sculpture made of colourful spirit levels suspended by thin wires stands on a concrete floor in an art gallery. Behind it, paintings hang on beige walls, including a seascape and abstract artworks. The space is bright and modern, with high ceilings.
A row of eight colourful abstract paintings hangs on a white wall. Each canvas features bold shapes and vibrant colours. In the foreground, an orange basket with tall white sticks and multicoloured accents sits on a white pedestal. The floor is brown.
Three abstract black-and-white framed artworks hang on a plain cream-coloured wall. Each piece features bold, curved black shapes resembling stylised organic forms. Small white labels are beneath each frame. A partial geometric drawing appears on the right wall.
A person in a red shirt and cap uses a roller to paint a white wall dark blue. A plastic sheet covers the floor, with a paint tray on top. The freshly painted section is clearly visible, with uneven edges where the painting has paused.
Two men stand on ladders, attaching a large printed poster to a beige outdoor wall. Tools, a crate, and a spray bottle are on the ground nearby. The poster contains text under the heading
A person in a colourful hat and jacket hangs artwork on a dark teal gallery wall using a hammer. The wall features geometric-patterned art, and in the foreground is a vibrant, beaded chair with intricate, multicoloured patterns. The floor is shiny and tan.
Several embroidered hoops with fabric are displayed on a white gallery wall in a horizontal row, whilst additional hoops hang suspended from the ceiling in the foreground, creating a layered art installation. The setting has tiled floors and minimalist decor.
Several ceramic plates with handwritten notes are suspended from the ceiling by clear strings in a gallery space. The plates are arranged at varying heights, casting soft shadows on the tiled floor and white walls. The ceiling has a grid pattern with vents.
Four black metal display shelves stand against a bold red wall, each holding small black or striped pottery pieces. The floor is grey, and a yellow and white zigzag rug is partially visible in the bottom right corner.
A modern art gallery corner with a bold red feature wall features geometric wire and ceramic art, tall black shelves with pottery, a large patterned vase with decorative sticks, and framed abstract prints with red, blue, and grey designs on a white wall.
A person in a striped shirt and jeans adjusts a large painting on a beige wall. The artwork features floating geometric shapes such as cones, cylinders, cubes, and spheres against a sky-like, blue-and-yellow background.
Two men stand beside a metal ladder, installing or examining a large signboard on a building’s exterior. The partially visible sign reads “Luan Nel... Son of a Sho...” and features text about an artistic journey. Sunlight casts shadows, and trees are in the background.
A vibrant art gallery features a red wall with framed artwork and a sculpture on a white plinth, transitioning into an orange and blue wall displaying colourful paintings and photographs. A worn white column stands in the centre on the polished floor.
A small, red, wooden stepladder stands on a worn, brown concrete floor. Behind it hang several colourful, geometric-patterned cloths, with a framed abstract artwork of similar patterns on the white wall to the right.
A modern art gallery with a red accent wall displaying pottery on black shelves, three colourful abstract paintings on a white wall, grey flooring, and a yellow and white chevron rug in the centre. Ceiling track lights illuminate the space.
Six framed fabric artworks hang on a blue wall. Each piece depicts a colourful, abstract urban or street scene, possibly featuring cars. The floor beneath is concrete, and part of a yellow wall is visible on the right side.
Several large, round ceramic plates with artistic drawings and writing are suspended in mid-air in a white gallery space. More plates with similar designs are mounted in a horizontal line along the wall in the background. The floor is tiled.
A shadow of a person standing on a step-ladder is cast on a blank white wall. The tiled floor and ceiling lights are also visible, but the actual person and ladder are not shown—only their clear silhouettes.
Several large, translucent plates hang in a row from the ceiling in an art gallery. Each plate has gold edges and features blue line drawings or handwritten text, including an illustration of two figures and poetic lines. The plates cast faint shadows on the walls and floor.
A paint roller on a pole is being used to apply dark blue paint to a light-coloured wall. The roller is halfway up the wall, creating a clear dividing line between the freshly painted dark blue area and the unpainted light area.
Several cream-coloured ceramic plates with gold rims hang suspended. The nearest plate features a design mimicking lined notebook paper with the handwritten lyrics “i set fire to the rain” in black and blue ink. Other plates show drawings or writing in blue.
Two people arrange decorative plates on strings hanging from a blue metal ladder inside a bright, tiled room. One person stands on the ladder reaching forward, while the other stands on the floor, partly obscured by the plates.
A large, multicoloured geometric star sculpture with six points is suspended in a gallery. Behind it, a patterned textile hangs on an orange and white wall. A textured, round tan vessel sits on the concrete floor to the left. The scene is vibrant and modern.
A framed artwork hangs on a bright pink wall. The artwork features a minimalist pixelated design of a folder icon with a red heart in the centre, set against a white background and surrounded by a black frame.
Twenty ceramic plates with drawings in blue are mounted on a white wall. The drawings depict simple, playful human or animal figures and objects. Some plates have handwritten text on lined paper, whilst others only have drawings. Plates are arranged loosely in a group.
A modern art gallery with shiny concrete floors, colourful walls in orange and pink tones, small framed artworks on the left, and woven baskets displayed on plinths to the right. A white pillar stands in the centre of the space.
A colourful folk art design featuring a central green, blue, yellow, and red flower-like shape, surrounded by blue and white leaf patterns. The background is pink with a border of yellow circles, each containing a green four-petal flower.
Two wooden antelope sculptures—one painted red, one white—stand on a black surface against a plain background. In the foreground lie two wooden utensils with natural handles and red-painted pronged ends, mimicking the colouration of the red antelope.
A rural landscape under a clear blue sky shows a simple wooden fence made of irregular branches, dry soil with scattered debris, green shrubs, a large tree, distant hills, and part of a house with a tiled roof on the right.
A group of people stands around a table displaying colourful handmade crafts, including painted objects, cushions, and framed artwork. The setting appears to be indoors, with wood-panelled walls and natural light from a door and window in the background.
A close-up of colourful beaded necklaces featuring round wooden, metallic, and glass beads, including clear glass beads with red and yellow patterns, green and red beads, and some with heart and capsule shapes, all arranged in a tangled pile.
A person wearing an elaborate, sculptural cardboard mask with abstract shapes and patterns obscuring much of their face. The background features several carved or embossed brown panels with various designs, mounted on a wooden wall.
A person in traditional attire, including animal skins, bead jewellery, and a feathered headdress, dances whilst holding a shield and a stick. A group of vibrantly dressed people stand in a semi-circle, watching and celebrating outdoors near a building.
A woman kneels outside by a concrete wall, applying white paint or plaster to its lower section. She wears patterned clothing and a headband. Several paint buckets sit nearby on dark soil, and the upper part of the wall is painted green.
Several handmade wire bracelets rest on a brown surface. Some are copper-coloured with intricate twisted designs, while others are silver with green beads and tan circular beads threaded along the wire. The bracelets overlap and create a textured, artistic arrangement.
A person in a red cap, white shirt, and blue jeans sits on the ground, carving wood with a knife. Wood shavings and tools are scattered around. They are in front of a brick wall near a black plastic chair and a rucksack.
A group of people gather around a table displaying colourful handmade crafts, including textiles with flower patterns and painted tiles. One man in a blue shirt examines a piece, whilst others watch and discuss the items in a brightly lit indoor room.
A colourful circular handbag with a braided rope handle, featuring a vibrant patchwork of blue, green, black, and purple patterns, and two overlapping button-like decorations on top. The bag rests on a light beige fabric surface.
A smiling woman with short dark hair and glasses wears a colourful patterned cloth, reminiscent of Contra.Joburg style, wrapped around her body and a beaded necklace. The fabric features red, yellow, black, and white geometric designs against a plain white background.
Close-up of a woven plastic material featuring a chequered pattern with red, white, and blue strips. The pattern alternates vertical and horizontal lines, creating small squares. The texture is glossy and slightly reflective, showing the weave detail.
A person wearing a white jacket and a colourful cap is sitting and carefully sewing a white cloth with a brown animal and tree print. Their head is tilted down and hands are focused on stitching, highlighting attention to detail and craftsmanship.
Two round earrings lie on a dark textured surface. Each earring has red, yellow, and green stripes with a black Africa map silhouette. Above the circles are small red, yellow, green, and black beads. Part of a colourful painting on a mini easel is visible above them.
A group of women in colourful traditional clothing stands near blue barrels and a large white mobile clinic van parked on grass. Others sit under a tree, some on chairs, with supplies and bins nearby. A white building and a blue tarpaulin are in the background.
A person’s hands are carving decorative lines into a large, round, dark clay pot. They are using a small tool on the surface. Several finished terracotta pots are visible in the background on a concrete floor. The person wears a floral-patterned outfit.
A man in a blue shirt and grey trousers sits on a tree stump outdoors, carving a wooden sculpture with an axe. Wood shavings are scattered around, and green foliage is in the background—a tranquil moment captured by Contra.Joburg.
A black silhouette of a person in profile view wearing a baseball cap, facing right, is shown against a solid yellow rectangular background on a white surface. The image has a bold, graphic style.
Two colourful portraits of Black women are displayed behind red tables and black chairs. One woman wears a blue dress and patterned headwrap, seated before a vibrant abstract background. The other is in futuristic attire, raising her hand in a gesture.
Three women sit at a table covered with beads, thread, and craft supplies, focused on making beaded jewellery. Bright sunlight fills the scene. Each woman works intently with their hands, surrounded by colourful tools and materials.
Three silver chains with black pendants shaped like the African continent are laid out vertically on a white surface, evenly spaced and parallel to each other. The pendants are glossy and reflect light, highlighting their distinct Africa silhouette.
A group of people, mostly women in hats and shawls, stand in a queue indoors near a table covered with colourful cloth and supplies. The room is decorated with painted patterns on the walls and pillar. Some plastic chairs and bags are also visible.
A person with dark skin threads small black and yellow beads onto black string over a blue plate. Their hands are close together, focused on the detailed work. They wear a red jacket and a checked shirt with visible cuffs.
A room with colourful, geometric Ndebele mural art covering the walls celebrates Gogo Mahlangu’s Legacy Project, featuring bold lines, shapes, and patterns. The woven thatch ceiling is supported by rustic wooden beams.
A yellow poster shows a black-and-white portrait of a person wearing a jacket, smiling slightly. Large red block letters partially obscure the lower part of the image. The design has a bold, graphic look.
A close-up of a woven textile featuring vertical stripes in blue, rust red, green, and cream, with a circular woven green element at the top and a rectangular section of green textured weaving near the bottom. The patterns and textures are clearly visible.
A rectangular black cushion with a grid pattern of interwoven black and white fabric strips in the centre, resting on a light-coloured fabric surface against a vertically lined light background, evokes the quiet tension of The Weight of Silence by Contra.Joburg.
A scattered pile of long, thin, black wires or plastic strips is strewn across a rough, light brown concrete surface. Two black shoes are visible near the edges of the image, framing the tangled pile.
A spacious, circular parliamentary chamber with wooden desks and chairs arranged in rows. The walls feature vibrant murals, African motifs, and geometric patterns. Soft lighting and a high, triangular-patterned dome ceiling create an official, grand atmosphere.
Two women sit close together smiling, in front of a bright, colourful mural featuring a large, abstract flower design in yellow, red, white, and black. One wears a blue patterned shirt; the other wears a pink shirt with white writing and illustrations.
Two people wearing sunglasses work with hot glass at a cluttered table. One uses tools over a small furnace; the other holds a rod with glowing molten glass. The room is sunlit, with shelves, sticks, and glasswork supplies scattered about.
A stone painted with the Ghana flag: vertical green, yellow, and red stripes, with a black star in the centre of the yellow stripe. The stone has a black outline and rests on a textured, dark background.
A display of handcrafted items on a worktop, including woven baskets, pottery, beaded jewellery, cushions with patterned covers, and small decorative items. Some crafts, like beaded ornaments and wall hangings, are arranged on the wall and shelves above.
A grassy landscape with tall yellow and green grass, a single wooden fence post in the centre, and scattered trees in the distance under a mostly cloudy sky with hints of blue peeking through.
A dark-skinned hand holds a small, unfinished wooden carving shaped like an animal, possibly a cat or dog, above a rough log with scattered wood shavings and bright sunlight highlighting the textures.
A group of people in colourful traditional attire hold certificates and pose in front of a white trailer with “Ifa Lethu Creative Hands Project” written on it. Some are seated on grass, while others stand, all smiling under a sunny sky.
Five white rods with green glass beads on top stand against a plain blue background. The glass beads are transparent and slightly speckled, with two rods holding single beads and three holding two beads each. The rods are unevenly placed and a bit charred.
Three women stand around a table covered with colourful paints and art supplies. One woman has a limb difference, another wears a blue scarf, and the third wears a yellow headwrap. They focus on small objects in their hands, engaging in an arts and crafts activity.
A group of people in colourful traditional African attire gather outdoors near a mobile museum lorry. Two women in headwraps stand in the foreground, while others hold a South African flag and musical instruments. The lorry is branded with
A minimalist silhouette of a person with a large afro hairstyle, red lips, and no visible facial features. The figure is centred in a red square against a grey background, with bold black for the hair and upper body.
A person in blue clothing and jeans is holding and weaving a circular pink beaded object with their hands, threading a string through the beads. The focus is on the hands and craft, not showing the person's face.
A man with dreadlocks, wearing a blue jacket over a red shirt with a colourful print, sits outdoors by a table. He works intently on wire art or jewellery—perhaps inspired by the Weight of Silence—amid lush greenery and bright light.
A person in a green shirt traces the outline and veins of a green leaf with a pencil on white paper. The real leaf is placed below the hand, and the drawing, which closely mimics the leaf’s details, is partially completed.
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Helped me refine my ideas into practical processes reflected in my paintings, steadily nurturing my business for growth - while supporting me in professionalizing my practice, and forming meaningful connections ...
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Tebogo Motshabi
Hood Snob
Helped me refine my ideas into practical processes reflected in my paintings, steadily nurturing my business for growth - while supporting me in professionalizing my practice, and forming meaningful connections with fellow creative entrepreneurs in South Africa and across the continent.
Tebogo Motshabi, Hood Snob
Tebogo Motshabi
Hood Snob
CDI has a long-standing relationship with Art Aid who have worked with us in delivering our training interventions in several provinces; delivered skilfully and professionally and with great passion! Art ...
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Erica Elk, CEO
Craft and Design Institute Group of Companies
CDI has a long-standing relationship with Art Aid who have worked with us in delivering our training interventions in several provinces; delivered skilfully and professionally and with great passion! Art Aid have an excellent network in the craft and design sector; years of experience in product and business development, knowledge transfer and building the capacity of creative people.
Erica Elk, CEO Craft and Design Institute Group of Companies
Erica Elk, CEO
Craft and Design Institute Group of Companies
Imbali has had the pleasure of working with Art Aid for over 15 years, across a wide range of initiatives including teacher training, craft skills development, enterprise support, and product development. ...
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Justine Watterson, Director
Imbali
Imbali has had the pleasure of working with Art Aid for over 15 years, across a wide range of initiatives including teacher training, craft skills development, enterprise support, and product development. The Art Aid team brings deep sector insight, professionalism, and a passionate commitment to the creative industries in South Africa, working effectively in both urban and rural contexts. They have a rare ability to meet creative entrepreneurs and crafters where they are, helping elevate their work with care, skill, and vision. Their support is both inspiring and practical, combining design innovation with strong business and organisational acumen. Art Aid adds exceptional value to programmes focused on creative enterprise and product development.
Justine Watterson, Imbali Director
Justine Watterson, Director
Imbali
As a programme lead for creative regeneration initiatives in joburg city, I see ART AID’s impact daily. They innovate in product development and design while empowering young entrepreneurs...
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Dawn Robertson
Jozi My Jozi
As a programme lead for creative regeneration initiatives in joburg city , I see ART AID’s impact daily. They innovate in product development and design while empowering young entrepreneurs. Their work inspires growth and fresh ideas. ART AID is a key partner in building creative, sustainable communities.
Dawn Robertson, Jozi My Jozi
Dawn Robertson
Jozi My Jozi
The MTN SA Foundation acknowledges Art Aid for its capacity building initiatives that empower arts educators in the fields of art and culture. Their dedication to enhancing skills and knowledge ...
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Niel Nortje
MTN South Africa Foundation Npc
The MTN SA Foundation acknowledges Art Aid for its capacity building initiatives that empower arts educators in the fields of art and culture. Their dedication to enhancing skills and knowledge ensures educators are better equipped to nurture creativity and cultural appreciation among learners. Through this commitment, Art Aid is strengthening the foundation of arts education and enriching the cultural landscape for future generations.
Niel Nortje, MTN South Africa Foundation Npc
Niel Nortje
MTN South Africa Foundation Npc
The dedication to developing professional practice, design, and marketing skills through their exceptional product development programs ensures that products are unique and market-ready. The ongoing support of creative communities, both ...
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Maureen Waldeck
Tourvest Destination Retail
The dedication to developing professional practice, design, and marketing skills through their exceptional product development programs ensures that products are unique and market-ready. The ongoing support of creative communities, both rural and urban, is commendable, making Art Aid a shining example of ethical business practices.
Maureen Waldeck, Tourvest Destination Retail
Maureen Waldeck
Tourvest Destination Retail
Through initiatives such as the Innibos National Craft Awards, curated beautifully and professionally by Art Aid, traditional craft is elevated and redefined. Through this project, Artisans...
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Sandra Jacobs
Innibos
Through initiatives such as the Innibos National Craft Awards, curated beautifully and professionally by Art Aid, traditional craft is elevated and redefined. Through this project,  Artisans are empowered to create sustainable livelihoods from their craft.
Sandra Jacobs, Innibos
Sandra Jacobs
Innibos
I met John Anthony Boerma and Jan Bhuda of Art Aid in 2023 for a product development program that was in partnership with Constitution Hill. My journey with them has been ...
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Lebohang Tsinyane
The Modern Us
I met John Anthony Boerma and Jan Bhuda of Art Aid in 2023 for a product development program that was in partnership with Constitution Hill. My journey with them has been nothing but an amazing adventure for a creative who is passionate about what they do. I wish that every passionate and determined creative that wants to grow their product and business could be granted an opportunity to be part of the Art Aid community.
Lebohang Tsinyane, The Modern Us
Lebohang Tsinyane
The Modern Us

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